Trip to Black Whale Gallery Hyannis, MA and meeting Scrimshaw Artist Nancy Lyons while consigning two of my Pine Needle Baskets

"Saharaha" on left and "Web of Space and Time"
Pine Needle Baskets consigned at The Black Whale Gallery

Nancy Lyons owner of The Black Whale Gallery

www.blackwhalegallery.com
349 B Main St., Hyannis, MA 02601
508-771-8600

My Friend Geri, who lives on Cape Cod and whose Mother was a student of Gladys Ellis the famous Mattapoisett Basket Maker, took me to visit The Black Whale Gallery in Hyannis, Massachusetts recently. The owner Nancy Lyons has been a scrimshaw artist for over 30 years. Her work is stunningly detailed. I was interested in meeting her because of her scrimshaw but also because her aunt was a little known Gloucester photographer in the 1920's named Amy Addison. Amy Addison took wonderful photographs of the Gloucester Schooners and waterfront in both Gloucester and Rockport. Amy Addison was also a printmaker and made beautiful etchings and prints of the waterfront as well. She left her body in 1976 but Nancy Lyons, her niece still carries the energy of her work and has written a book which includes her aunts work. Part of the book was also reproduced recently in Wooden Boat magazine.  

Sailors Valentines in case

Nantucket Baskets and
Ivory Scrimshaw in case

Nancy Lyons and my friend Geri looking at a necklace

The Gallery

Gorgeous Nantucket Baskets

I loved The Black Whale Gallery and meeting Nancy Lyons. There is nothing like travel to get fresh inspiration. Since making my Pine Needle Buddha purse, I want to make more Mattapoisett style Pine Needle purses. The tradition of the Nantucket purses as we know it today may have originally been made in Pine Needles and whale bone before the whalers sailed to Asia and brought back Cane and Rattan to use for basketry.The local Massachusetts native population made baskets from Pine Needles originally and I am of the ilk that if you were to go back in time and "see" what the baskets looked like before whaling trips of the 1850's, they would be Pine Needles. You know back in those days there were no plastic bags and fabric was ultra expensive. A persons basket was their personal receptacle for food, personal items, storage, and even cooking. There are stories that people etched their names in whalebone onto their personal baskets originally so that after the church suppers in Nantucket, everyone would know whose baskets were whose. The baskets were usually round, made of ash and cane and made over a mold of an old spar, mast, or boom from a ship. The nesting baskets were made on The Nantucket Lightships during off hours by the men stationed there to sell to summer tourists on the island beginning in the 1880's. Baskets from the 1800's are quite valuable and collectible. The Lightships were anchored on the shoals off Nantucket during that time functioning as mobile Lighthouses of sorts. It must have been lonely, with hours of idle time. The men filled the hours with making baskets as both a hobby and an art.

 Later in the 1940's and 1950's a Nantucket maker commercialized the Nantucket Purse. His name was Jose Formoso Reyes and he stylized the Nantucket purse with a carved Ivory Whale on the top and a swing handle or leather braided strap. Those baskets were originally known as "Friendship Baskets"  and quickly became the style and rage of visiting summer people and tourists on Nantucket. Hard to believe this but they retailed for $15 then.

My Pine Needle creations feel right at home next to the
Ivory Scrimshaw and Nantucket Baskets

I still imagine the very early local Wampanog tribe making Pine Needle baskets on Nantucket and I do believe there was a tradition of this in Mattapoisett as there was a huge native american population there. We shall never really know because natural fiber and textiles disappear over the years but if you were to squint your eyes, on an anthropological level, it all makes sense. For some reason, this bit of history, while not important to others, inspires me.

The photos above the cases are
Amy Addison Gloucester Photos from 1920's

I love using traditional materials at hand to create useful and creative objects of beauty and function. The whole tradition of the Nantucket Sailors Valentines, Baskets, Scrimshaw, and other Oceanic creative endeavors with a history of using natural materials available is, to me, amazing. When I see Pine Trees growing on the shore, it makes sense to me that this fiber was important.

Amy Addison Gloucester Waterfront Photos

Couple this with great, practically unknown Gloucester waterfront photos in this gallery and I am mesmerized. The Black Whale Gallery is really something special. I felt supported to extend my craft to a creative edge just by going there and seeing all the work of all the basket artists the gallery represents.

More Nantucket Bags and Baskets

So, it makes perfect sense that I consigned my baskets to a place with Nantucket style art, scrimshaw, and other oceanic Massachusetts artists. It was hard for me to leave my baskets someplace. They seem part of me. I picked each pine needle off the grass just as it was freshly fallen and then crafted the baskets stitch by stitch with great love and intention. to me, they are works of art, an expression of a greater whole and a spiritual affinity for the world around me. I have no idea if anyone else will "get" the expression of this work but it feels right and good that I left them at the Black Whale Gallery amongst the old Gloucester photos and Sailors Valentines.

I am going to be working with Nancy Lyons in a collaboration of sorts on my next basket and I will post photos as soon as I get that started. I want to try my hand a Tenneriffe and Ivory Pine Needle Basket Purse in a Mattapoisett Style but with an updated Fiber Arts modern feel. Art for Arts sake, yeah, it is where it is at. There is always a lot of discussion about authenticity in Nantucket basketry. I think the authenticity comes from within and it isn't a historical thing from the past. What gives a basket its energy and light is the makers intentions with form, functionality, and creative expression, no matter when and where it was made. I don't think I could ever try to "exactly copy" a style to sell or pass off as a tradition. I can only envision my own new style and expression in basketry!

Thanks for sharing my trip to Cape Cod with me and my visit to The Black Whale Gallery meeting Nancy Lyons, Amy Addison with my dear friend Geri Gastar. There is more to come....

Kind Regards, Melissa Smith Abbott